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Like Kanye, Drake is as much a curator as he is a creator, an artist capable of arranging collaborators from a universe of styles and making them all fit into his personal vision-an approach that has made him one of the most definitive rappers and pop figures of his era.
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Though the feelings remain (always feelings, big feelings), the sound-for the most part, courtesy of longtime affiliate Noah “40” Shebib-is always changing: a little dancehall here (“One Dance”), a little house there (“Passionfruit”), some old New Orleans bounce (“Nice for What”), a bit of Wu-style boom-bap (“Started from the Bottom”), some smooth, to-the-minute trap-soul (“Hotline Bling”).
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But most of all, he felt like a person-someone who isn’t canceled by his paradoxes, but defined by them. Critics-and he’s had plenty-like to point out that he started as an actor: He played Jimmy Brooks in the Canadian teen show Degrassi: The Next Generation. Was he an R&B singer who rapped or a rapper who sang? Was he really that sad, or just doing a bit? And if it wasn’t a bit, how could this guy-talented, intuitive, hardworking-really be so down?įrom minute one, there was something a little different about him: He could be confessional, vulnerable, but also incredibly coarse he could make an earnest commitment one minute (“Take Care”) and be drunk-dialing the next (“Marvins Room”) he could convince you he was an underdog from his perch on top of the world (“Started from the Bottom”). After all, he figured, you get someone hanging your name next to Tupac’s, even if it’s only to take a shot at it? You must be doing something right.īorn Aubrey Drake Graham in Toronto in 1986, Drake became-like Tupac-something of a generational voice, a prism for his pop-cultural moment. In case anyone thought that Nicki Minaj had left the scene, or would lose her touch, she just proved that she not only has her finger on the pulse of rap music but that she's got a firm grip around it and is shaking it up.A couple of years after he broke into the mainstream with 2009’s So Far Gone, Drake was browsing art in Los Angeles when a piece caught his eye: a big neon sign that read, “LESS DRAKE, MORE TUPAC.” For a minute, he felt angry, embarrassed-he wanted to walk up and rip the sign off the wall. This single saw Minaj spitting her lyrics with fluidity and consistency, as she introduced Lil Wayne and Drake to lend their influence to the track.
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This collaboration is bringing fans back to a time where the music could free their souls and the boomboxes had cassette tapes in them, and Minaj is proving that the authentic sounds of hip hop music are still very much alive today. Nicki belts it out hard as Drake and Lil Wayne accent the track with major impact. The musical landscape has not felt, heard, or experienced anything like this in a very, very long time. Nicki Minaj dropped Seeing Green and fans are rocked by the sudden and very welcome reemergence of the true sounds of hip hop.